What is the medieval Wheel of
Fortune? Who was Marsilio Ficino?
I shall attempt to
answer both of these questions, unrelated as they are, in a single
essay. For the record, the latter question was asked by a student
who should have known who Ficino was.
While there are
several important medieval figures who are little known today, the
two whose reputations have diminished the most are Boethius (who
wrote very early in the middle ages – the sixth century), and
Ficino (who wrote late in the middle ages, and helped inspire the
Renaissance). Both of these philosophers were quite famous in their
times, but today few people could tell you who they are.
Boethius was an
important member of the court of Theoderic the Great, the Ostrogothic
ruler of Italy. Boethius was a Nicene (Trinitarian) Christian, while
Theoderic was an Arian – meaning he was a member of a branch of
Christianity who believed in a type of Trinity, but in which the
Father was superior to the Son. Even though the time in which
Boethius lived was characterized by conflict between Nicene
Christianity and Arianism, Boethius and Theoderic were very close
until Boethius stood up for another member of Theoderic's court who
was accused of treason for corresponding with the Byzantine Emperor
Justin I. This resulted in Boethius himself being accused. He was
imprisoned and eventually executed.
While he was in
prison, he wrote The Consolation of Philosophy, which
is written in the form of a dialogue between Boethius and Sophia
(“wisdom”). The Consolation starts
with Boethius complaining of the injustice of his situation. Sophia
tells him that he should not despair because nobody knows the will of
God. As long as people are subject to fate, they will undergo
injustice. It is useless to rail against the ways of the world;
trust in God and live a life of virtue, and you will know true
consolation.
In
order to illustrate the unexpected whims of fate, Boethius
reintroduced the ancient concept of the Wheel of Fortune (Fortuna).
Fortuna was a Roman goddess of fate. She was shown turning a wheel
with people moving up and down in a circle. As people move up in the
wheel, they encounter unexpected luck and happiness, but they
inevitably will start to go down after they reach the pinnacle.
Boethius makes it clear that all people – rich and poor, virtuous
and wicked – are subject to these turns of fate. Since there is
nothing a person could do to change one's own fate, the correct
attitude to have to misfortunes and inequalities is tranquil
acceptance. Even though the Wheel of Fortune was known before
Boethius wrote about it, it seems that the widespread appearance of
the wheel in medieval art is due to the influence of the Consolation
of Philosophy.
Boethius'
writing was well-known in the middle ages, and his doctrine of stoic
resignation was widely accepted in those times. The striking
inequalities and injustices of the middle ages were largely placidly
accepted throughout much of the middle ages. Peasant uprisings were
quite rare until the Black Death led people to question the propriety
of the status quo.
The
philosophy of Marsilio Ficino was quite different than that of
Boethius, although both drew heavily on Plato. During most of the
middle ages, art and music were mostly commissioned by the Church,
and the purpose was to communicate religious lessons. While the
notion that medieval artists did not think art should be beautiful is
an exaggeration, beauty was not the prime objective of art. Ficino
revived the classical notion that beauty was the true objective of
poetry, painting, music, and other arts. While Ficino was a
Christian who believed that sublime experiences brought about by
experience of beauty would bring one closer to God, his writings
renewed interest in the philosophies of pre-Christian thinkers –
particularly Plato.
Ficino's
influence is clearly seen in the art of the Renaissance. Beauty –
particularly the beauty of the human figure – again became the
object of art. Artists became the most well-known figures of the
age, and churches, cities, and wealthy individuals competed to
commission the most striking works of art.
The
theme that ties these two philosophers together is that we can see
the influence their philosophies had on their respective eras even
though they, as individuals, are mostly forgotten.
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